Congress: The Jewel in Art and Art in Jewell
Congress: The Jewel in Art and Art in Jewell
Fee: 70 €
40 €: students, Amics del Museu Nacional, Xarxa de Museus d’Art de Catalunya, Associació de Museòlegs i Col·legi Oficial de Joiers, d'Orfebres, de Rellotgers i de Gemmòlegs de Catalunya (you must produce the corresponding credentials)

program
Encouraging the study of the jewellery as a academic discipline and analysingit how a that dialogue with the different arts and the artists in an international context and in a chronological frame that achieves since the mediaeval period until the individualised jewels of the contemporary authors are the aims of the Congress.
The attention will be focus on the analysis of the jewel in relation to the visual arts and the fields of artistic creation: since the jewels were painted in the Romanesque painting, the Gothic altarpieces, the embroideries and the mediaeval manuscripts until the pictorial and sculptural values of the modern jewels. Moreover, it will be study the jewel as a diffusing vehicle of the artistic currents or as a transversal path for part of the artists unconnected to the world of the jewellery, and the jewel understood as a expression of an artistic universe in miniature, beyond their superficial concept and of an object of luxury, reflection of the magnificence of the materials. The collecting of the jewellery, private and public, will deserve a special attention.
#CEJ16
Sponsored by:
With the collaboration:
With the support of:
PROGRAM
Scientific direction: Mariàngels Fondevila, curator of Modern and Contemporary Art, Museu Nacional d’Art de Catalunya, Barcelona
Scientific Commitee
- M. Antonia Herradón, curator, Museo del Traje, Madrid
- Joan Domenge, permanent lecturer, Departament of Art History, Universitat de Barcelona
- Daniel Giralt-Miracle, art critic and design historian, member of the Reial Acadèmia Catalana de Belles Arts de Sant Jordi, Barcelona
- Maria Sframeli, former director, Museu degli Argenti, Florence
- Gonçalo de Vasconçelos e Sousa, professor, Escola das Artes da Universidade Católica Portuguesa, Porto
- Kirstin Kennedy, curator, Metalwork Department , collection, Victoria and Albert Museum, London
- Jaume Mercadé, jeweller-gemmologist, Col·legi Oficial de Joiers, d’Orfebres, de Rellotgers i de Gemmòlegs de Catalunya (JORGC), Barcelona
Thursday 17th November
9 am Reception and presentation of documentation
9.45-10 am Welcome and introduction
Mariàngels Fondevila
SESSION 1: THE ART JEWEL AND THE ARTIST'S JEWEL
Moderator: Daniel Giralt-Miracle
10 am Las joyas de Salvador Dalí
Lourdes Cirlot, professor of Art History, vice-rector of Institutional Relations Culture, Universitat de Barcelona
10.15 am L’androgínia en les joies d’Ismael Smith
Josep Casamartina i Parassols, historian and art critic
10.30 am La joya como recurso estético y simbólico de la obra de Néstor Martín-Fernández de la Torre
Daniel Montesdeoca, managing director , Museo Néstor, Las Palmas de Gran Canaria
10.45 am Joyería contemporánea: una superficie de escritura
Ana Campos, Designer and jewellery philosopher
11 am René Lalique
Nuno Vassallo e Silva, Head, Collections Management, Museo Calouste Gulbenkian, Lisbon
Discussion
11.45-12.15 pm Break/Coffee
12.15 pm La immanència de la pintura en les joies d’Eduard Alcoy
Rosa Alcoy, Professor of Art History, Universitat de Barcelona
12:30 pm L’art i la joieria contemporània i els límits del cos
Silvia Rosés, Doctor of Art History and lecturer at the Escola Massana i de BAU, Centre Universitari de Disseny de Barcelona
12.45 pm Innovation or Mimesi?
Barbara Schmidt, Head, Akademie Für Gestaltung und Design, Munich
1 pm Artistas joyeros
Ana Cicuéndez Chamorro, restorer, gemmologist and valuer, Madrid
1.15 pm Jewels as Artworks: Prêt-à-Porter Art in Post-war Italy
Flavia Frigeri, Teaching Fellow, University College, London
Discussion
2-3.30 pm Lunch
SESSION 2: VICISSITUDES AND JEWELLERY COLLECTING (part 1)
Moderator: M. Antonia Herradón
3.30 pm Las joyas de la corona española en tiempos de guerra: 1808-1814
Amelia Aranda Huete, curator, Manager of the Royal Collections, Patrimonio Nacional, Madrid
3.45 pm The French Crown Jewels and Splendours' Exodus to America: Tiffany & Co.
Amy McHugh, Assistant Curator, Tiffany & Co. Archives, New Jersey
4 pm La joyería tradicional mallorquina a través de las colecciones privadas
Elvira González Gozalo, ex-director, Museu de Lluc, Reial Acadèmia Mallorquina d’Estudis Històrics, Palma de Mallorca
4.15 pm Romancing the Stone: Victoria, Albert and the Koh-i-Noor Diamond
Siddhartha V. Shah, Department of Art History and Archaeology, Columbia University, New York
Discussion
4.45-5 pm Break
5 pm The Art of Glass and Jewellery: The Use of Goldstone, or Aventurine Glass, in an Early Eighteenth-century Dutch Necklace
Suzanne van Leeuwen, Junior Curator/Conservator of Jewellery, Rijksmuseum, Amsterdam
5.15 pm Gemmòleg, una professió que no ho és
Carlos Báguena, gemmologist, member of the JORGC, Barcelona
5.30 pm Presentation D’Or Museu (Castell de Sant Julià de Ramis, Girona)
Friday 18th November
SESSION 2: VICISSITUDES AND JEWELLERY COLLECTING (2a part)
Moderator: M. Antonia Herradón
9 am A Brief Career of Pride and Folly and Extravagances’: Edmund Waterton’s Ring Collection and the Victoria and Albert Museum
Rachel Church, Curator in the Sculpture, Metalwork, Ceramics and Glass Department, Victoria and Albert Museum, London
9.15 am A Collection in Context. The Production of Handmade Hollow Jewellery
Ana Cristina Sousa, Assistant Professor in the Department of Heritage Studies, Faculty of Arts, Universidade do Porto
9.30 am Paper Gems: The Archive of Frank Gardner Hale (1876-1945)
Meghan Melvin, Curator of Design, Department of Prints, Drawings, and Photographs, Museum of Fine Arts, Boston
9.45 am Provence-Golconda, Seventeenth-century French Jewellers at the Mughal Court and the Antiquarium Origins of Jewellery History
Peter N. Miller, Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York
Discussion
10.15-10:45 am Break/Coffee
SESSION 3: JEWELLERY AS A SYNTHESIS OF ART
Moderator: Kirstin Kennedy
10:45 am El Joyero del autor dramático Eugene O’Neill (1888-1953)
Claudette Joannis, Conservateur en Chef Honoraire du Patrimoine, París
11 am Jewellery Images of Cavazza Gift to «Vittorio Zironi» Tapestry Museum in Bologna: Aemilia Ars and Alfonso Rubbiani
Francesca Ghiggini, Art Historian and Ex Curator, «Vittorio Zironi» Tapestry Museum, Bologna
11.15 am Un pinjante de león pasante documentado en el Joyero de la Virgen del Pilar, ya en 1528
Carolina Naya Franco, assistant lecturer, Department of Art History, Universidad de Zaragoza
11.30 am Celebration of Love, Life & Faith Through Jewellery in India; Harappa to Cartier & Van Cleef & Arpels
Seema Bhalla, Art Historian, Curator & Critic, Freelance Writer on Culture, Heritage, Art & Architecture
11.45 am De moneda a joia: reflexions sobre la reutilització ornamental del numerari
Albert Estrada-Rius, head curator, Gabinet Numismàtic de Catalunya, Museu Nacional d’Art de Catalunya, Barcelona
Discussion
12.15-12.45 pm Break
12.45 pm Las hebillas en los Llibres de Passanties
M. Antonia Herradón, curator, Museo del Traje, CIPE, Madrid
1 pm Coral, Staghorn, a Blood-ring: Dr W. L. Hildburgh's 1917 Gift of Amulets to the V&A
Frances Parton, Curator of Collections and Interiors at English Heritage
1.15 pm Fermalls «grans, bells, i cars». Documents i testimonis figuratius per a la història de la joieria gòtica catalana
Jacobo Vidal, lecturer in the Department of Art, Universitat de Barcelona
1.30 pm Miniature Reliquaries and Book-Shaped Pendants. Shaping and Experiencing Interior Space: Religious Jewellery in the Late Middle Ages and Early Modern Times
Silke Tammen and Romina Ebenhöch, Institute of Art History, Justus-Liebig-University of Gießen, Germany
Discussion
2-3.30 pm Lunch
SESSION 4: THE SYMBOLISM OF THE JEWEL
Moderator: Albert Estrada-Rius
3.30 pm Speaker to be confirmed
3.45 pm Joies i superstició. Penjolls de corall i amulets a la Catalunya del gòtic
Anna Orriols, lecturer, Department of Art and Musicology, Universitat Autònoma de Barcelona
4 pm L’anell com a símbol d’estatus a la Catalunya de la plena edat mitjana
Joan Duran-Porta, professor, Universitat Autònoma de Barcelona
4.15 pm Los dijeros de cristianar a los niños en La Alberca, Salamanca
José Luis Puerto, ethnographer, Salamanca
Discussion
4.45-5.15 pm Break
5.15 pm Representaçoes fito e zoomórficas na joalharia em Portugal no século XIX
Gonçalo de Vasconçelos e Sousa, Escola das Artes da Universidade Católica Portuguesa, Porto
5.30 pm Relicarios: las joyas olvidadas de Latinoamérica
Martha J. Egan, Research Associate Museum of International Folk Art, Santa Fe, New Mexico
5.45 pm The Ship Pendant in Early Modern Venice: A symbol of the Serenissima
Anastazja Buttitta, Research Assistant, PhD Candidate, Ben-Gurion University of the Negev
6. pm The World in a Gem
Ashley Elizabeth Jones, Assistant Professor of Art History, University of Florida
6.15 pm Closing recital
Air des bijoux from the opera Faust by C. Gounod
Glitter and be gay from the opera Candide by L. Berenstein
Natasha Tupin, soprano
Josep Buforn, piano
Presentations will be given in the language stated in the title of the paper
Simultaneous translation service English-Spanish and Catalan/Spanish-English
Enrolments: FULL CAPACITY
Tel. 93 622 03 75 (Monday to Friday, 9 a.m. to 2 p.m.)
In order to attend the congress you must:
1. Book your place: you must give us, by telephone or email, your name, surname(s), address, town, postcode, contact email address, organization or institution and professional post.
2. Pay the enrolment fee via bank transfer to the following current account, in the name of the Museu Nacional d'Art de Catalunya (ES40 2100 0974 89 0200035583).
Contact us:
The museum complies, in all its terms, with Organic Law 15/1999, 13 December, of personal data protection (BOE No. 289, 14 December 1999)

