The new media became popular in the 1930s, thanks not only to commercial productions but also to the invention of relatively cheap and easy to use still and film cameras conceived for home use. Artists, photographers, film-makers and enthusiasts –photography and amateur film clubs blossomed in towns and cities all over Europe– turned these media into a playground for formal experimenting that worked as an interesting system of communicating vessels connecting commercial, popular and avant-garde aspects.
Emili Godes, Paisatge a través d'ales de libèl·lula, cap a 1930
Antoni Arissa, Sense títol, cap a 1930
Pere Català Pic, Sense títol, 1935
Josep Maria Lladó, Sense títol, cap a 1930-1934