Room 75. SURREALISM(S)
Room 75. SURREALISM(S)
Salvador Dalí always showed great interest in and enthusiasm for photography, to which he devoted three pieces he wrote at the end of the 1920s, in which, from a Surrealist standpoint, he vindicated the power of the medium to capture a new reality. Later, he used photography to establish his public image in the mass media and to leave a testimony of his numerous happenings. Portlligat was the setting for many of these ‘photographic sessions’, at which he posed for some of the most outstanding Catalan photographers of the time.
Obres exposades:
Portrait of Salvador Dalí, Antoni Bernad, 1974. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Salvador Dali with a clown costume, poses with one of his models, Joana Biarnés, 1966. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Salvador Dalí, Francesc Català-Roca, 1953. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Dalí aux anges habillés par Raco Rabanne, Oriol Maspons, 1966. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Elsa Peretti and Salvador Dalí, Oriol Maspons, cap a 1965. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Dalí and a model, circa 1965, Oriol Maspons. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Portrait of Xavier Corberó, Mariane, Salvador Dalí and Babà, Oriol Maspons, 1960. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Portrait of Salvador Dalí, Oriol Maspons. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Portrait of Salvador Dalí, Natacha and Oriol Maspons at Cadaqués, Elsa Peretti, 1966. Image Rights of Salvador Dalí reserved. Fundació Gala- Salvador Dalí, Figueres, 2018
Intervention related to the exhibition Gala Salvador Dalí. A Room of One’s Own in Púbol.