Displaying 127 - 144 of 377
Painting
At the age of just 20, after a period of training in Paris, Casas produced this and other paintings of bullfights which reveal a personal treatment of the novelties he had discovered in that city, especially work by Manet, as well as the mark of Goya, whose work he had seen in the Prado Museum. Having painted a sharp foreground, the artist used overlaid light and dark brushstrokes to achieve a feeling of vibration in the middle ground of the composition, a resort he would use frequently in his subsequent production.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Poster
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This is a preliminary sketch for the oil painting with the same subject that decorated a panel inside of the tavern of 'Els 4 Gats' (MNAC / MAM 69806)This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
![image for: Ramon Casas - Estudi per a la il·lustració «Ramon Casas i Santiago Rusiñol fent el llit» (anvers) / Estudi per a la il·lustració «Ramon Casas i Santiago Rusiñol fent el llit» (revers) - 1892 [1]](https://www.museunacional.cat/sites/default/files/styles/resize_500x500/public/images/art_piece/first_gallery/47675/026915-d0r_081754.jpg "Ramon Casas - Estudi per a la il·lustració «Ramon Casas i Santiago Rusiñol fent el llit» (anvers) / Estudi per a la il·lustració «Ramon Casas i Santiago Rusiñol fent el llit» (revers) - 1892 [1]")
Drawing
This drawing illustred Rusiñol's chronicle "Desde el Molino. La Sociedad protectora de animales y plantas", La Vanguardia, 02/18/1892, p. 4.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Drawing
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'