This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This drawing illustred an article by Santiago Rusiñol called "Otra vez en el carro. The Manlleu a Sant Feliu", La Vanguardia, 5/8/1892, p.4This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This drawing illustredan article by Rusiñol "Otra vez desde el carro. De manlleu a San Feliu"published in La Vanguardia, 30.07.1892, p. 4. It reminds the drawing that illustrate Rusiñol chronicle "Catalan Artists in Paris (From the Mill)" -facsímil, p. 10-This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Esbós per a la il·lustració definitiva que es publicà a La Vanguardia acompanyant l'article de Rusiñol "Otra vez desde el carro. De Manlleu a Sant Feliu", 30/7/1892, p. 4. La il·lustració definitiva es conserva al Cau Ferrat. Al Catalec complert de les obres exposades, "Pèl & Ploma", 28/10/1899, p. 3, s'indica que un "Grupo den Casas, en Casellas i en Rusiñol" formava part d'"un quadro de la col·lecció Casellas" (Mendoza 1992 diu que és aquest dibuix). A la fotografia de la Sala Parés publicada a Pèl & Ploma, 11/11/1899, 24, s/p. [p. 3] no es pot apreciar aquesta obra
This drawing illustred Rusiñol's chronicle "Desde el Molino. La Sociedad protectora de animales y plantas", La Vanguardia, 02/18/1892, p. 4.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
According Capdevila, Opisso was so excited about this portrait, that proposed Casas to buy it and this gives him. Later him ceded it to the Museum by the Museums Friends mediation.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Thestaff ofPèl & Ploma also use this drawing as a header inletter papersand for small advertissementsat this magazine. It was reproduced in the invitation to the opening ceremony of the Second exhibition on 25/05/1900 at Sala Pares. Partagàs said "the reproduction appears at the top of the form and the title of the drawing hasbeen used as the opening text in the invitation, which says: 'Pèl& Ploma' expectes you to attend May 25 at 7 pm, at the opening of the exhibition of drawings by Ramon Casas whichare usedtoillustrate the newspaper. The exhibition will be enhanced by some unpublished pictures andothers already known. Saló Parés, Barcelona "This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'







