This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Thestaff ofPèl & Ploma also use this drawing as a header inletter papersand for small advertissementsat this magazine. It was reproduced in the invitation to the opening ceremony of the Second exhibition on 25/05/1900 at Sala Pares. Partagàs said "the reproduction appears at the top of the form and the title of the drawing hasbeen used as the opening text in the invitation, which says: 'Pèl& Ploma' expectes you to attend May 25 at 7 pm, at the opening of the exhibition of drawings by Ramon Casas whichare usedtoillustrate the newspaper. The exhibition will be enhanced by some unpublished pictures andothers already known. Saló Parés, Barcelona "This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
According Capdevila, Opisso was so excited about this portrait, that proposed Casas to buy it and this gives him. Later him ceded it to the Museum by the Museums Friends mediation.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This drawing illustred Rusiñol's chronicle "Desde el Molino. La Sociedad protectora de animales y plantas", La Vanguardia, 02/18/1892, p. 4.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Sketch for the final illustration which was published in La Vanguardia accompanying the Rusiñol article "Otra vez desde el carro. De Manlleu a Sant Feliu" 7/30/1892, p. 4. The final illustration is kept at Cau Ferrat.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
Casas did a portrait of a young Picasso, when he was 19 years old, in Paris, when both of them visited the Universal Exposition of 1900. In the background of this portrait we can recognise Paris, through some of its emblematic monuments, as for example the Sacré-Coeur or the blades of the Moulin de la Galette.An emblematic figure from the first Catalan Modernism, Ramon Casas leads, alongside other artists, the renovation movement of the Catalan figurative arts from the end of the 19th century and the beginning of the 20th century. His excellent artistic qualities are highlighted in this drawing of the famous portrait gallery given by the author to the Board of Museums in 1909, in which he fixed the image of the major personalities (artists, musicians and politicians) from the society of the time. This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'







