This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This drawing illustred Santiago Rusiñol chronicle"Desde el molino. El reino de las sombras" La Vanguardia 31/3/1892, p. 4.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This drawing illustred Santiago Rusiñol article, "Desde el molino. La orden de la Rose + croix", La Vanguardia, 18/3/1892, p. 4.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'
This illustration and 26918-D appear under the heading "Journalists in Monjuic". All two tried to show the difficulties put to the journalists which were covering the new of the anarchist Paulí Pallàs, streamlining 6/10/1893 to attempt against General Captain of Catalonia using two Orsini bombs during the parade of troops in Mercè day.This work has been selected for the project 'Partage Plus - Digitising and Enabling Art Nouveau for Europeana'