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II. Modernism(s)

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  • II.14. 'Modernistes' in Paris

During the years of the turn of the century, Paris was the capital of modernity. An undisputed centre for fashion and the market in luxury goods, it was also the centre of the mass market and the popular leisure market and of the new media: advertising, poster art, etc. Paris offered the right conditions for an independent art: influential critics, abundant publications, intellectual gatherings of all sorts, gallery owners and clients interested in the avant-garde. Any modern artist had to try his luck here and the fact is that many of them, arriving from all over the world, produced their best work in those brief Paris years, under the shock of the city of entertainment.

II.14. 'Modernistes' in Paris

II.15. 'Modernistes' in Barcelona [1]

II.16. The painter of modern life [2]

II.17. The ‘Modernista’ home [3]

II.18. Antoni Gaudí and Josep Maria Jujol [4]

II.19. Conservative ‘Modernismes’ [5]

II.20. Symbolisms 1 [6]

II.21. Bohemia, miserabilism and black painting [7]

II.22. Symbolisms 2 [8]

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Ramon Casas, Le Sacré Coeur, Montmartre, circa 1900

Ramon Casas, Plein Air, cap a 1890-1891

Henri Meunier, Cartes Postales Artistiques Editions Dietrich & Cie, 1898

Marià Pidelaserra, Retrat del pintor Pere Ysern, 1901

Alfred Sisley, À Saint-Mammès. Sol de juny, 1892

Henri de Toulouse-Lautrec, May Belfort, 1895

Ignacio Zuloaga, El Sena i Notre-Dâme de París, cap a 1894


Links
[1] https://www.museunacional.cat/en/ii-modernisms-0 [2] https://www.museunacional.cat/en/ii-modernisms-1 [3] https://www.museunacional.cat/en/ii-modernisms-2 [4] https://www.museunacional.cat/en/ii-modernisms-3 [5] https://www.museunacional.cat/en/ii-modernisms-4 [6] https://www.museunacional.cat/en/ii-modernisms-5 [7] https://www.museunacional.cat/en/ii-modernisms-6 [8] https://www.museunacional.cat/en/ii-modernisms-7